抱一个情歌娜塔莎

主任艾莉森自称实验纪录片制片人,和许多实验一样,这个短片的结果是喜忧参半。有很多感人的时刻抱一个情歌娜塔莎。哈林的朋友们他们记住的人失去而哭泣,但许多环绕他们的衷心的敬意——白雪皑皑的电视屏幕上的图像静态的,例如,添加任何一部专门讲故事美国黑人的悲惨和刑事处理。

不过,埃里森使重要的一点:“我们正在挑战一个系统历来阻止黑人女性和黑人女孩有机构对其叙事和公众形象。我们是激活这个空间。我们询问想象的新方法,与黑人历史,抹去或离开空白。”This documentary makes a good contribution to Black narratives controlled by the people who experience those narratives. What is great here are the words of Harlins' great friends and the picture they etch of an extraordinary young woman who seemed destined to do great things, filled with love, decency, care, and intelligence. The decision to delay an account of the sad facts of Harlins' tragedy for the film's last moments -- summarized in four text panels of white letters on a black screen -- is puzzling. This vital information served up earlier would have made the film even more moving.