美国风情画

这无疑是最具影响力的关于成长的电影。我认为这部电影建立了一个新的叙事风格,和证明,怀旧电影不一定是为了怀旧,因为它抓住了1960年代美国的时代精神而不是模仿。一个值得注意的例子的影响美国风情画是理查德·林克莱特担纲导演和制片人的年少轻狂。虽然我没有从事和投资的特点前后者,就如同我对美国风情画诚然是更加成熟和发人深省的。这里的人物有深度你可能永远不会看到生活片段的电影。这来自夏普对话,充实整个电影的角色运行时间在一个非常微妙的方式。一些字符比别人更好、更发达的弧线。他们都一起有些可爱,由非常好的演员扮演他们的角色;但是有些角色的感觉他们好像不发达,缺乏一些在中间。罗恩霍华德的性格,乔布斯就是一个例子; although I was quite invested in his character by the end of the movie. This leads us to my second issue with this movie, which I mentioned above. It's that the movie took me a little while to get into its characters and whole the story in general. I think the reason of this problem is that the movie promised me from its very beginning that it would focus on the characters' story-lines to flesh them out; not their journeys. Don't get me wrong, I adore slice-of-life and road movies, and I also knew that American Graffiti is this kind of a movie. But I guess the first minutes would a bit misleading, and therefore it took me sometime for the movie to draw me in. I can't praise the movie's soundtrack enough! I mean, it's absolutely one of the greatest film soundtracks ever! The movie wouldn't have been so nostalgic, if it wasn't for its killer soundtrack. It is a key factor in capturing the era's spirit, and also in giving the movie its distinctive bitter-sweet vibe. I think I won't stop listening to it for a long time! American Graffiti is also a proof that George Lucas is a great director as he is a great writer. I know that the dialogue is one of the film's best merits; but man, the camera work is so exquisite, and the color-grading is superb and quite expressive. The movie also has some brilliant moments of scene-blocking that, once again, gave the movie its evocative atmosphere. (8/10)

这部电影真的很不错,但值得pg - 13级。有亵渎和冥思的场景。这是一个有趣的电影关于高中生和他们的冒险经历。一个13岁的看这部电影并且喜欢它。