双倍赔偿

色彩的道德失败,几乎让你悔恨代表主人公欲望的色彩,充满活力的对话非常优雅和机敏的愤世嫉俗,即将毁灭的严峻气氛创造的惊人的黑白摄影,可以有把握地说,我的第一个比利怀尔德都黑色的商标。说,我不会说这部电影是有点颠覆性的错误;只有掌握在自己手中。在说,我的意思是,令人惊叹的细微差别怀尔德已发出嘶嘶声,这部电影,和艰苦的注意细节给双倍赔偿独特的味道,并使它脱颖而出的所有电影。赠送剧情简介通常败坏了看典型的黑色电影的经验,因为他们是小细节的韧性,更不用说这样做这一个除了解释了为什么我觉得这么迷人的微妙。看双倍赔偿,你马上就会知道我是什么意思!唉,看来,这个非常细致的对细节的关注是牺牲的最重要最关键时刻和转折点令人信服。电影的策划的学术性质做了很多决定性时刻有点难以下咽。也让电影拖,令人惊讶的是,在本该最有趣的部分。这里所有的表现都很好,但它是爱德华·g·罗宾逊谁偷了我的节目。 He plays the quick-witted, determined investigator, Barton Keyes, who may be a bit too smart and clever to be believable; but thanks to Robinson's fierce performance, Keyes hands down is my favorite character in the movie. Double Indemnity is an extremely well-crafted moody crime film that transcends the nature of its plotting with an unprecedented, unmatched, unsurpassable subtlety that made the main characters lifelike, and made the story thought-provoking in the first place. It raised the bar and set the standard for film-noir making at its time, and continues to inspire every neo-noir film, nay every crime film to this day. (8.5/10)