女孩上升

影片中的一些故事适合初级读者和一些更好的年龄在10 - 12 +。这部电影是关于女孩的教育,尽管预告片使它看起来不同。艰难的主题触及了但没有图形显示或详细讨论。最好的故事一个适合所有年龄层的观众是1)Wadley在海地,在印度和3)2)Ruksana Mariama在塞拉利昂。最艰难的故事是最后,阿米娜在阿富汗。我会把年龄指导每个故事最后的审查。这不是一个传统的纪录片即使女孩和故事是真实的。这部电影非常艺术,象征性的,有时有点抽象。此外,有叙述统计之间的故事。章和年龄卡在柬埔寨- 5岁+指导方针。 Younger viewers may not understand this story well due to its abstract nature but may love the dancing. Shows images of Sokha picking trash in a bleak landfill, which may lead to questions from younger viewers. Wadley in Haiti - ages 5+. Very inspiring. A bit slow and abstract in the first and last minute of the story. Suma in Nepal - ages 10+. Also very inspiring and musical. Shows images of her as a child slave doing constant and sometimes difficult work, which may lead to questions. Yasmin in Egypt - ages 10+. Blend of live action and an ambiguous animated story of Yasmin turning into a superhero to fight a man who lured her into his house. Younger viewers will probably think she was a superhero who got away. Older viewers will probably not. Azmera in Ethiopia - ages 8-10+. Her mother is willing for her to marry a stranger, but her brother intervenes. Viewers will probably get the family strength message more than the young marriage story. Ruksana in India - ages 5+. Police come and knock down the tents where Ruksana and others live; no violence is shown but young viewers may ask why the police are being so mean. Senna in Peru - ages 8-10+. There are a couple sentences and closeups where Senna talks about women who work as prostitutes and the dead look in their eyes. This story is shot in black and white and begins with poetry, which may be harder for some viewers to get into. Mariama in Sierra Leone - ages 8+. Mariama looks and acts like a teen, but the fun, modern feel of the story will appeal to young audiences. Due to the death of her first husband, Mariama's mother is one of two wives in the family, which is described briefly and clearly and may lead to questions. Amina in Afghanistan - age 12+. Actress playing Yasmin looks about 11 years old and does not appear to age, even though the story probably follows a year or two of her life. This is disturbing (as it is probably meant to be) when she is married to a man in his 20's, gives birth and holds her infant son all while staring dead-eyed at the camera. The birth scene is a few seconds and shows only her face straining and her yelling before a wrapped baby is put in her arms. The narration for this story is powerful. Viewers will probably have questions about child marriage and the practice of wearing a burqa; they will probably also feel very inspired.

这是一个鼓舞人心的电影,凸显了发展中国家女孩教育的重要性。许多事情的女孩生活困难——童婚,契约劳役、强奸和贫困。然而,他们在这样一个圆滑的处理方式,如果你的孩子不知道什么是强奸或妓院,他们不会从这部电影中学习。他们将学习这些女孩面临性别歧视和不平等的力量,并通过学校努力尽心竭力为更好的生活。我10岁了,觉得这是完全适当的;她说这是“棒极了”,这让她想想人生就像在世界其他地方,尤其女孩如此平易。它还让她欣赏自己的自由和教育。