了女孩

《消失的爱人》(Gone Girl, 2014)讲述了尼克在妻子失踪后被指责与社区和安全作斗争的故事。在整部电影中，可以期待大量的成熟和图形元素，包括大量的性场景，血腥暴力的场景，语言和一些令人不安的强奸描述。直到影片结尾，暴力是温和的，相对温和的。然而，当结局真的发生时，就会出现血腥暴力和许多令人不安的场景。一个男人抓住他的妻子，把她扔到地上。一个女人拿起锤子砸向自己的脸。视频中，一名女子将自己手臂上的血抽干，然后将血涂抹在地板上，制造了一场谋杀。一个女人拿着酒，把它擦在她的内裤上，让它看起来像被强奸的血。她在地板上爬来爬去，大声尖叫，这样她(假装的)痛苦就能被记录下来。然后，她拿了一个酒瓶，强迫它进入她的阴道(在摄像机下面)，使她看起来像是被强奸了。 During rough sex, a woman takes a box cutter and slashes a man’s throat with it. His slashed open throat begins to profusely pour out and spray blood all over the woman and all over the bed and surroundings. The woman becomes soaked in blood along with the man’s body as blood sprays and pours everywhere out of the man’s graphically open neck. The scene is extremely bloody, and that is a complete understatement as blood is everywhere soaking both the man and the woman. The man’s neck is shown with the huge tear in the middle slashed open after he eventually chokes and dies. The woman who previously killed the man is shown soaked in blood for a prolonged period of time afterwards as she is questioned by police, walks through her driveway and washes all of it off in the shower. A man grabs a woman’s head and slams it against the wall while violently calling her a “c*nt”. LANGUAGE: SEVERE Around 47 uses of “f*ck”, 4 uses of “c*nt”, several uses of “sh*t”, “b*tch”, “p*ssy” and many other swears. SEXUAL CONTENT: SEVERE There are 5 sex scenes in the film and many other scenes of sexual content. A man is shown giving a woman oral sex. He is shown licking her genital area as she moans in pleasure on the bed. His head is shown between her legs as he lifts her panties above his head. No graphic nudity or any nudity at all is shown, and the scene is rather brief. A man and a woman are shown having sex against a table. Brief thrusting and moaning is depicted in non-graphic detail. A man and a woman begin to have sex on a couch. The man removes the woman’s top revealing her breasts as the woman straddles the man and the camera pans away. The next morning they are shown waking up after the sex. The woman is still naked with her bare breasts visible as they quickly dress. A man and a woman are shown having sex against a dresser. The man is briefly shown thrusting into the woman from behind, however this is shown from the waist up and isn’t graphic whatsoever. A woman uses a wine bottle to penetrate herself in order to stage rape evidence. This is below the camera and brief. A man and a woman begin to have sex. They fall into the bed where the woman pulls down the man’s pants revealing his buttocks shown in graphic, up close detail. They begin to have sex when the man pulls his pants down all the way and begins thrusting in between the woman’s legs in graphic detail with loud clapping and moaning and thrusting depicted as they have sex on the bed. The man continues thrusting until his throat is slit soaking them both in blood. The man is still nude and falls onto his stomach. His penis is briefly shown after he is dead, although it is covered in blood and is very hard to see. A man and a woman shower together. Both of their bare buttocks are shown and the woman’s bare breasts are shown as well from the side, although nipples are briefly visible. The man’s penis can also be very quickly glimpsed as well. Lots of sexual dialogue relating to sex, rape and other topics like oral sex, a woman waxing her “p*ssy”, a woman being raped, sodomized and put in a “spread eagle” position as bondage. Lots of references to “f*cking” and other sexual activities.

这是芬奇的专一，细节，和惊人的转折。但这部电影在一些小细节上表现出色。每个人对父权制的表现，支持艾米故事的系统社会规范，围绕着阿弗莱克的媒体马戏团，为消费创造叙事，当然还有阿弗莱克和库恩、阿弗莱克和佩里以及总是令人愉快的尼尔·帕特里克·哈里斯之间可信的交流。我最喜欢的时刻之一是派克的角色说服了所有人，除了酒店里的欧扎克客人。当他们抢劫她时，这传达了芬奇提出的阶级分歧和谁能“看到”艾米的批评。一部伟大的电影。