神圣的汽车

影片中,神圣的汽车,由狮子Carax,争夺在2012年戛纳电影节金棕榈奖。它围绕着生命中的一天Monsier奥斯卡。丹尼斯Lavant非常特立独行的奥斯卡先生。不经常做你找到一个演员,他体现了这种多功能性范围。化妆部门特别值得一提。方向和写作卓越!这部电影上映14孟买电影节下交会与法国电影的范畴。奥斯卡先生(Denis Lavant)是许多情绪和面孔的人。他显示了“职业”的人是从一个字符变换到另一个地方。他显示为一个商人,一个刺客,一个乞丐,一个怪物,甚至突变(有点)。 It is never made clear through the running of the film as to what Oscar's motives are. He is chauffeured around by an elderly, gentle lady who is doing her job of keeping her master safe. The two move around Paris running one assignment after another. The so-called assignments range from amusing to absurd. You have Oscar and a woman shown fornicating, albeit with their latex body suits on. There's another sequence wherein Oscar is supposed to kill a former accomplice Theo. Following the stabbing, he makes Theo's corpse appear exactly like him so as to make it look like his assassination. However, it does not go as planned and what you have is two Oscars lying on the floor in a pool of blood. There's one particular sequence in which Oscar is shown playing the accordion, and subsequently being joined by an orchestra. This particular instrumental is stupendous and the way it has been shot is mind-blowing. The story of the film is not linear. There are different interpretations that you can extract out of this French masterpiece. However, at no point does the film get tiring. It does get confusing, albeit pleasantly confusing! If that's an emotion! The performances given by the lead actor and the rest of the supporting cast are marvellous. The make-up is out-of-this-world. The cinematography deserves special mention as do the special effects team. Don't take this film too literally. Sit back, relish the proceedings. Once the film's over, give a long thought about what it's trying to convey. It has many connotations - political, man vs machine, religion v/s science. Beauty is in the eye of the beholder, as someone in the film says. Apt for the film itself! It's a different kind of film alright, but it is one that you should watch! Shivom Oza