原色

多忽视原色代表天顶的流派:一个一贯优秀的政治讽刺手持恒星,一个涉及,错综复杂的情节,和一些最好的方向从零星的迈克·尼科尔斯在最近一段时间。约翰·特拉沃尔塔的描述Clinton-esquire南部州长与女性的弱点和甜甜圈注意完美,封装缺陷无疑还聪明的杰克斯坦顿轻松风格和魅力。特拉沃尔塔巧妙地由英语的角色演员艾玛•汤普森和大屏幕上初次登台的人艾德里安莱斯特,以及奥斯卡提名凯西贝茨,比利·鲍勃·桑顿和拉里Hagman复苏。从本质上说,这部电影是一个年表斯坦顿的政治阶梯的崛起和遇到的困难,他充满活力的团队保持他们的人在比赛中,尽管许多挫折和悲剧。脚本给特拉沃尔塔一个完美的平台来表达人类情感的约束和鼓励我们:他早期的演讲被突出的轶事,都有平等的洞察斯坦顿的男人和斯坦顿的政治家。因此,电影的基本悖论的出现:观众显然是习惯于同情斯坦顿由于他的非凡的口才,但我们经常削弱性丑闻的曝光,无尽的谎言,他经常无情的实用主义出发。这种冲突的观众都控制得非常好,在电影的结尾,我们确定我们自己的情绪。一些电影可以管理:更少的微妙技巧尼科尔斯的政治奥德赛。我想添加几句关于女性表演在电影中。艾玛·汤普森,作为演员的希拉里·克林顿,指甲口音和她的言谈举止模型与一个令人信服的决心。 Her character is often the mediator among the campaign team, yet there is a ruthlessness about her, a quiet conviction in her actions that her husband is clearly sustained by. Kathy Bates is the unhinged lesbian media consultant who is drafted in to nullify the potent threat of negative media reporting. She clearly gets all the best lines including a memorable reference to Stanton's string of lovers as "sorry trash bins": scrupulous editing on my part here. At the film's conclusion, Bates comes to the fore, spelling out the impossible conflict between what is politically right and what is humanly right with an intensity that few actors could accomplish. Her subsequent Oscar nomination was well deserved and she was unlucky to be pitted against a triumphant Judi Dench in the Best Supporting Actress category. That said, this is Travolta's movie. This is a career-defining performance from an actor unfortunately sullied by a series of mind-numbing duds, yet had he chosen his roles more wisely a more creditable media image would most certainly have been forthcoming. Don't be put off by its subject matter: this is film making at its best and is a credit to its highly talented cast and crew.