锋利的棍子

积极的信息

积极的榜样

uneven track record around representation. So the fact that the cast does have racial diversity (including Janicza Bravo, director of Zola, and Taylour Paige) is a plus. But Dunham's iffy lens on Blackness is still present in the sexualization of Treina's body and dancing. In fact, the two prominent Black people in Sarah Jo's life -- her sister, Treina, and stranger-turned-lover Arvin -- are defined by their sexuality. Treina is an "Instagram vixen," and Arvin works in the porn industry (and, of course, becomes a sexual partner for Sarah Jo). In final scene of Arvin and Sarah Jo having sex, a pair of Black female hands starts caressing Sarah Jo's head -- intended as an artistic representation of Sarah Jo finding her personal sexual freedom. But this choice could be seen as perpetuating the idea that Black people are inherently sexual. Plus, Sarah Jo's journey of self-discovery is defined by men rather than her actual preferences, wants, and needs. That said, disability representation is positive here, with Sarah Jo taking care of kids who have Down syndrome and use a wheelchair, respectively.

"> 多样化的表现

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"> 暴力和恐惧

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"> 性、浪漫和裸体

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"> 语言

产品和购买不存在

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"> 饮酒、毒品和吸烟