超级

好让我们这的第一次——艾伦·威尔森页面的性格不做爱就像“性”类别。她直率的强奸他。是的,如果有人感兴趣超级的场景触发性侵犯,保持FAAAAAAAR走了。这是为什么我创建该帐户(而且可能永远不会再使用它),告诉人们,超级有一个场景,艾伦·威尔森页面强奸,和你们通过这不过是又一个性爱场景。据说,超是一个启示。大多数观众可能熟悉编剧/导演詹姆斯Gunn的工作通过监护人的星系,或两个真人史酷比电影(他写的),但是在这里你可以得到他的感觉确实是作为一个导演,这是一个的见鬼类型导演类似于早期的山姆•雷米、或pre-Lord戒指彼得·杰克逊。他电影的疯狂暴力行为相同的超级像艾伦页的性格需要从提交行为。如果这部电影停止在那里,我还是会热情地推荐它。但令人惊讶的是,超级决定去额外的一英里,实际上给了我们一个故事的心,和真实的情感共鸣。电影的主题在于道德灰色·威尔森的性格,深红色的螺栓。 We are meant to sympathize with this clearly unstable individual, but not necessarily condone his actions, and this theme is driven home by Ellen Page, as his sidekick, Bolty, who is basically doing the Hit-Girl schtick, but here it's meant to be something other than cheap shock value. She is the film's id, and while she is a joy to watch, her ACT OF SEXUAL ASSAULT, and frequent use of homophobic language are used effectively to elicit feelings of extreme discomfort. But underneath all that is a surprisingly touching story of one man's desperate need to be loved, and his journey towards self discovery, and a realization that true love does not come from forcibly trying to reclaim a person you've idealized in your head, culminating in a final shot that kills me every time. Super is basically the Observe and Report to Kick-Ass's Paul Blart: Mall Cop, which is an unfair comparison because Kick-Ass is way better than Paul Blart, but Super and Kick-Ass came out around the same time, and like Observe and Report, and Paul Blart, one is superficial fun (to a certain audience. The Paul Blart crowd probably hates Kick-Ass and vice versa), and the other is a dark, uncomfortable, and so so much better film that has a point other than the central joke.