节奏部分

尽管才华横溢的演员和作者自己的剧本,这适应马克波奈尔的间谍惊悚片一定会让观众思考“这本书是更好的。”Lively's Stephanie -- looking rough, with the pallid skin, track marks, and bruises consistent with the violence of sex work and addiction -- is supposedly a brilliant former Oxford student who just missed the flight on which her parents and siblings died. Although the initial self-destruction makes some sense, Stephanie's transformation into a skilled sniper, assassin, and intelligence operative appears to happen unrealistically quickly (although apparently months have passed).

活泼和法律有像样的化学作为神秘former-spy-turned-teacher和他折磨学生,和早期追逐序列是有前途的,但大多数的节奏部分只是通行和衍生品。没什么特别原始后“伊斯兰恐怖分子阴谋(即使在2011年,当源书首次亮相,它一遍又一遍地做过),和情节需要几过于方便,包括前往纽约,消除一个虚情假意的大亨喜欢妓女(扮演马克斯·卡塞拉)。间谍惊悚片都是有点熟悉的汽车追逐,蜜罐欲望,武器只显示一次再次出现,但这是一个特别可预测的失望,远不及伯恩/ Salander比较。