骨骼的双胞胎

因为我复习很长,最后屏幕版本捧场文章省略了我的行间距段休息,我指定段落使用连字符的分离和右箭头(- >)。- - >这部电影的男高音共鸣一样真实,真实的、高度不正常家庭的人。这真正的共振是缺乏大多数处理不正常的家庭,我看过电影。故事情节给了两个主要人物的机会面对痛苦的感觉从他们的成长经历的感情浅的母亲和一个沮丧的父亲。这个self-confrontation不容易也不自动;相反,它是证明他们每个人做出的选择,分别为自己,达到一个点后象第一次来完全绝望(因此,自杀企图他们每个人,在不同的时间)。- - >结束最终是希望兄弟姐妹有一个强大的债券和决定关注积极的一面,生活中的小事。好莱坞的粉饰困难和画一幅美丽的图画不是这部电影的一部分。- - >虽然我们习惯于看到韦格和Hader喜剧角色,它们完全配备必要的情感深度,使这部电影的材料被认为是真实的生活。没有漂亮的丝带绑东西整齐地结束时——就像在现实生活中没有。 -->The positive aspect at the very end comes, as I said above, as the result of choices the main characters make to confront their difficulties and move past them, with the siblings' support of each other. The expression, "It is what it is," seems apropos here because the positivity does not suddenly erase all the difficulties in life for these two. It merely gives them a fresh starting point, with the new opportunity to lay down the foundation onto which they can move forward and attempt to re-build their lives; or, at least that's the general sense the viewer can take away. The film's ending only takes the viewer up to the point that the decision to start again is reached by each of the main characters, and each of them is rather newly counting on the support of the other. -->I JUST finished watching, and I suspect this is the kind of movie that will return to my thoughts again and again, with it continuing to touch my soul. Because I know myself well and think that I am figuring this correctly, I decided to change my number of stars from my initial rating of 4 to a full 5-star rating. -->The strength of the message of this film, that the painful past can be confronted then let go of, does after all lie in the simplicity of the characters' stories--not some Hollywood, larger-than-life version of transformation. -->While I decided to click the Website button for "Great role models," the characters are not what one would consider traditional role models AT ALL (because of the substance use, extra-marital sex and the brother's initial acceptance of a past molestation by a high school teacher). Yet, for individuals who come from messed up families and who find themselves emerging into adulthood as already-messed-up individuals (from their dysfunctional upbringings), the problematic behaviors shown in the movie won't do harm (because, chances are, they've already found "excesses" as a way of getting by). Instead, what will be the focus of young people's take-away will be that the main characters' problem-behaviors (1) did not help matters and (2) they choose to replace those behaviors with acknowledgement of their painful pasts and deciding to move on in more healthy ways. The latter points, (1) & (2), are what makes me think of these two characters as unconventional role modes.

这部电影是伟大的和许多伟大的主题。然而从第一个场景我停止它,等待我哥哥上楼。提到和场景的自杀不是应该给孩子的事情。