精神错乱

导演德里克Borte让观众在他们的座位的边缘,加速的紧张和开车穿过最极端的一个场景很多人担心。精神错乱访问的恐惧和肾上腺素,很多人经验当他们参与任何形式的对抗和一个陌生人在另一辆车。这部电影基本上是一个长,高压力的追逐,有点猫捉老鼠的行动。大部分发生在方向盘后面,90分钟,哪些没有血腥和凶残的。冷却和辨认,但它不是可信的,有太多的可能是一个更简单的方法来解决。

享受这部电影,你不能深思它——但也许你应该。表面上看,精神错乱围绕着一个消息,成年人可能想与青少年司机(或者,正如我们看到的电影,,青少年可能想与agro-driving分享成人)。这部电影提供了一个不可磨灭的方式说:“嘿,我们都应该更好的在路上,,顺便说一下,你永远不知道生活中发生了什么糟糕的司机。”But if you dig deeper, the movie's subliminal messaging -- and its timing -- is concerning. We already know that women apologize far more than men do. So to have a threatening male character continue to demand that a woman apologize -- as the driver does here -- plays into a problematic power dynamic. Curiously, both Rachel and the driver are going through divorces. Which kind of makes you wonder what, exactly, motivated Carl Ellsworth to write this screenplay, because the fact that Crowe is a murderer on a rampage is underplayed next to the fact that this is really the ultimate comeuppance for a woman. If anything, it feels like ex-husband fantasy fiction.