植物园

设置一个有趣的、令人印象深刻的视觉效果和不祥的声音设计使这个科幻爬虫断断续续地引人注目,但前提耗尽天然气的半道上,呈现它有点艰难。这部电影有一个真实的《暮光之城》的区感觉,尤其是在一开始,当一个困惑的汤姆和杰玛发现他们被困在那边。相机手表白色汽车从上方循环和蜿蜒的怪异的网格mint-colored房子,发现无处可逃。之后,这对夫妇发现一盒标签”食物,前景充满了真空包装的羊排和耐储存的牛奶,它从哪儿冒出来,消失了一样神秘,现在充满了汤姆和吉玛的脏盘子。汤姆和吉玛设置看,看谁或什么正在和交付的盒子,希望“抨击他们的大脑”和园艺设备汤姆带的,但现在看起来,这个盒子。

这样的时刻是怪异的,可以肯定的是,最好的。但是有一个原因《暮光之城》的区只有半小时长。这是足够长的时间来介绍人物,春天一个奇怪的意外,而且整齐地结束战斗,没有盲点的戏剧。一个更长的运行时间需要更多的情节,植物园是部门缺乏。另一个神秘箱提供了一个人类(或者是吗?)婴儿的夫妇,和一张纸条,上面写着“提高孩子和被释放。”But is this unnamed new character, who grows to the size of a second-grader in a few months and shrieks unnervingly when he's hungry or bored, really a child? And just what kind of "release" can Tom and Gemma expect when the "child" has reached adulthood? The answers are slow in coming. They're nicely unnerving when they arrive, but the wait will try most viewers' patience, leaving them to check out emotionally from Tom and Gemma's plight. Still, the sight of Yonder's mint-green rows of lookalike houses, the fluffy fake clouds above, and the unsettling grinding and squeaking noises on the soundtrack aren't easily forgotten, even if this film's too-light plotline may be.